NUDA!

NUDA did not begin with shoes, or bags, or even sketches.
It began with absence.

After seasons of structure, weight, and declaration, I reached a point where adding felt dishonest. Every line I drew wanted to disappear. Every form wanted to quiet down. What remained was a question I could not ignore.

What happens when design stops performing?

NUDA is the answer.

This collection is not about exposure. It is about reduction. It is about removing narrative, removing excess, removing decoration, until only function, proportion, and silence remain. Skin is not revealed here to provoke. It is revealed because nothing is left to hide behind.

The beginning: stripping form

The first objects in NUDA were not imagined as products. They were studies.

Clear bands, negative space, transparent heels, restrained leather. I worked with materials that do not forgive. TPU, acrylic, resin, polished metal. Materials that expose every decision. There is no place to mask imbalance when the structure is visible.

I kept asking myself one thing while designing.
If I remove this, does the piece still exist?

If the answer was yes, I removed it.

This is why NUDA feels light, but never fragile. Why it feels minimal, but never empty. Every element that remains earns its place.

Shoes as architecture, not ornament

The NUDA footwear was designed as floating systems.

The foot becomes the core structure. The shoe adapts around it rather than dominating it. Heels are not there to decorate height. They are there to balance tension. Transparent columns, mirrored stilettos, crescent curves. Each heel carries the weight quietly, without drama.

Straps are reduced to gestures. A single band. A diagonal cut. A geometric interruption. Enough to hold, never enough to distract.

These are shoes that do not announce themselves when you walk into a room. They reveal themselves when you stop moving.

Accessories as objects, not bags

The Prelude accessories were born from the same thinking.

I did not want “handbags.” I wanted objects that could sit still and feel complete. Forms that feel intentional even when not in use.

The Grid Clutch came from repetition and restraint. A hexagonal surface that absorbs light instead of reflecting it. A quiet defense system. Order as texture.

The Ember Clutch came from controlled chaos. Resin flows captured mid-movement, frozen in balance. Heat, but disciplined.

The Cube Bag exists as a study in clarity. Translucent volume, clean edges, no narrative. It carries space more than it carries objects.

These pieces are not meant to be styled loudly. They are meant to be chosen deliberately.

Why NUDA, and why now

NUDA exists because fashion is too loud right now.

Too fast. Too descriptive. Too eager to explain itself.

I wanted to create a collection that trusts the wearer. That does not guide emotion or dictate meaning. A collection that allows silence to be part of luxury again.

NUDA is about confidence without performance. Sensuality without invitation. Presence without assertion.

It is for the woman who does not need to prove she is seen. She already is.

This collection is not seasonal. It is not reactive. It is not designed to chase relevance.

It exists because at a certain stage of creation, the most radical move is restraint.

NUDA is not nakedness.
It is clarity.

And once you reach it, there is no going back.